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News and updates for the Patrick Wymark Boardroom - a website about the Power Game actor.

Maintained by Harry Dobermann. Email me at

The Devil’s Wymark updated

Uncategorised Posted on Thu, August 12, 2021 09:59:19
Tell Me Lies (1968) and The Devil’s Bait (1959)

Following the spotting (post below) of a possible early appearance by Patrick Wymark in The Devil’s Bait (1959), Philly supplied the sideview screenshot (above right). With what might be the most contentious ear since Robert Jenkins in 1739, I’ve still not been able to find a better side view that the slightly blurry shot from Tell Me Lies (1968). Although the photo’s are at different angles, there does seem to be similarity between the shape of the ears. The photo’s also show a similar hairline. Any contribution from retired identikit operators would be welcome.

August 13: University College London recently posted a photo of Wymark in his early 20’s from his national service – could he morph into the smooth spiv of THE DEVIL’S BAIT 10 years later?

And here are a variety of side shots show the ear of Patrick Wymark in 1968, The Devil’s Bait in 1959, Patrick Wymark in 1964 and Patrick Wymark in 1970.

Update: 02/12/2021 – Having now had the chance to see The Devil’s Bait, I can add that the character has two lines of dialogue. Hearing an exclamation outside his car, he asks the girl he’s been kissing: “What?” She says, “Someone said No,” and he replies, “You wouldn’t say a thing like that?”

The voice does seem similar in tone to Patrick Wymark.

The Devil’s Wymark?

Uncategorised Posted on Mon, August 09, 2021 09:56:13

A possible unknown film appearance by Patrick Wymark was uncovered earlier this month. A member of the Britmovie Forum called Philly posted that, “I spotted an early uncredited appearance of Patrick Wymark …as one of a smooching couple in a car.

The movie was The Devil’s Bait (1959) screened most recently on Talking Pictures TV on Thursday August 5th. The film stars Geoffrey Keen and Jane Hylton as bakers who accidentally prepare some poisoned bread when a drunken rat catcher leaves traces of poison in one of their tins.

Thanks to Marcus Heslop who brought this to my slumbering attention, I was able to pull the screenshot above from the IMDB listing for the movie (thanks to whoever put them up – presumably Philly).

As to whether this is actually Patrick Wymark, I don’t think I’ve seen many photos taken from this angle, but there are obvious similarities around the eyes and mouth. It has to be said that this character looks slimmer than the usual image we have of Wymark, but the first thought that came into my mind was that he looked like Orson Welles in The Stranger.

For comparison, here is Patrick Wymark in the August 1959 TV version of Brand. And below, Patrick Wymark in the 1960 Danger Man episode An Affair of State.

Any opinions would be welcome. For now, I think we’ll all be scanning the Talking Pictures TV schedule for the next transmission of The Devil’s Bait

UPDATE 10 August: Philly, via Marcus, has provided this side view from the movie:

Was it Sir Hillary Bray who said to Bond the one thing you can’t change is the shape of your ears? I’ve been looking for some side views of Patrick Wymark and the closest I’ve found so far is this shot from Danton’s Death (1959). Will keep looking for something clearer.

The Merry Wives of Windsor

Uncategorised Posted on Mon, July 12, 2021 08:39:11
Patrick Wymark, Geoffrey Sasse & Anthony Quayle (RSC photo)

On 12 July 1955, the day after his 29th birthday, Patrick Wymark appeared in the first performance of The Merry Wives of Windsor as the jovial Host of the Garter Inn.

Glen Byam Shaw’s production at the Shakespeare Memorial Theatre, Stratford starred Anthony Quayle as Falstaff. Wymark had been performing at Stratford since 1955, mainly in comic roles. The Times noted Wymark, “particularly good as the jovial Windsor innkeeper who devises and sets afoot the duel between Caius (Michael Denison) and Evans (William Devlin).” William Devlin would, of course, become Sir Gerald Merle, the antagonist of Wymark’s John Wilder in The Plane Makers.

In his Old Vic Prefaces, Hugh Hunt noted that the Host of the Garter was proprietor of a focal point in Windsor society which accommodated the overflow of foreign visitors to Windsor Castle. “These visitations from foreigners, not only taught the host much about life as a whole, giving him an easy tolerant view of the ways of human beings, they also brought him riches and a reputation for astuteness in business matter. The foreigners and courtiers who frequent his inn have, moreover, had a marked influence on his manner of speaking.”

On 2nd October 1955, the BBC screened a telerecording of the Stratford production as part of the Stratford festival. Although the whole performance was recorded, only the second half was screened. This would be Patrick Wymark’s TV debut. By a strange twist of fate, Barbara Murray, who would later play Pamela Wilder , appeared in the play preceding the adaptation as Shakespeare’s Dark Lady of the Sonnets. Even more ironically, Ann Firbank, who would cover the role of Pamela Wilder in the third series of The Plane Makers, also appeared in the Stratford production.

Patrick Wymark – 95 years today

Uncategorised Posted on Sun, July 11, 2021 07:47:16

Patrick Wymark, born in Cleethorpes, 95 years ago today, 11 July 1926. Stage, radio, TV and film actor. “His friends are to be found in every walk of life and to all of them he was passionately loyal.”

Devils Advocates: Blood On Satan’s Claw

Uncategorised Posted on Wed, May 26, 2021 15:38:32

The Blood on Satan’s Claw by David Evans-Powell is one of the latest books in the Devil’s Advocates range from Liverpool University Press.

Priced at £19.99 for a pocket sized paperback, it devotes 116 pages to every aspect of the 1971 release Blood On Satan’s Claw.

Evans-Powell breaks the movie down into several themes such as Nature and Civilisation and The Fiend and Its Followers and explores the sub-dermal content which ensures the movie’s immortality.

The actual production and release of the movie is covered in the first 16 pages of the book. The production of the film has been well covered in other areas, and in any case this is more a book about the interpretation of the film, rather than its construction. Nevertheless, this opening section does include an interesting discussion about the period in which the story takes place. Evans-Powell explores the alternatives, just as he thoroughly examines each thematic aspect of the movie. He concludes that the film is deliberately ambiguous: both the Judge and Angel are “unsympathetic and dangerous” – the film refuses to take sides.

You can buy The Blood On Satan’s Claw direct from Liverpool University Press at Liverpool University Press: Books: The Blood on Satan’s Claw

Wymark’s Eagles

Uncategorised Posted on Sun, May 02, 2021 15:34:20

In Where Eagles Dare, Patrick Wymark briefs the small team of “Eagles” on their secret mission. Although they may seem to be an ill-matched group of strangers, they all have previous connections with Wymark.

As Thomas, William Squire was an established member of the Old Vic theatre company when Patrick Wymark made his debut. Squire (who would go on to play Hunter in Callan) played Benvolio in the 1952 production of Romeo and Juliet where Wymark appeared as Friar John.

As Berkely, Peter Barkworth had, of course, vied with Wymark as Kenneth Bligh in the first two series of The Power Game. And as Christiansen, Donald Houston had previously been on the opposite side to Wymark’s detective in the 1961 play The Takers.

While Michael Hordern (Admiral Rolland) had previously appeared with Wymark in the Disney version of Dr Syn it appears that Wymark and Richard Burton had never appeared together (Burton joining the Old Vic as a lead actor, the year after Wymark left the company).

A Question About Hell

Uncategorised Posted on Wed, April 28, 2021 09:27:36

27 April 1964 – Patrick Wymark and Caroline Mortimer star in A Question About Hell – Kingsley Amis’ update of The Duchess of Malfi.

The Blood On Satan’s Claw at 50

Uncategorised Posted on Sun, April 18, 2021 15:48:50

It seems particularly eerie that I was advised sometime after Midnight Friday night of this 117 page magazine celebrating 50 years since The Blood on Satan’s Claw or ‘Satan’s Skin’ first hit British cinemas. I was just uploading a comment when unearthly forces took down Twitter. Coincidence or not, it gave me more time on Saturday to read through “Horror Homeroom Issue Number 4”. until the Dionysian forces of Twitter reassembled themselves.

I won’t pretend to have read through the whole magazine yet. There’s far too much to think about in the ten articles analyzing the movie. Editor Dawn Keetley gets off to a good start in her introduction by presenting a link to the 1970 Kine Weekly article which first described The Devil’s Touch (as it was filmed) as, “a study in folk horror, ” underlining the fact that this sub-genre is far from being a recent attempt to superimpose 21st century concerns on 20th century film-making.

Of immediate interest here, of course, Paul A. J. Lewis examines Patrick Wymark’s performance as The Judge, whose “morality…is not uncomplicated.” Drawing on earlier performances (not least the original stage production of The Devils and John Mortimer’s production, The Judge) Wymark brings what Piers Haggard identified as , “a wit and power,” that more traditional horror film casting would not. The final freeze-frame poses the question what the unintended costs are of authority crushing troublesome ideology.

Michael Jacob suggests the demon offers a purpose to the downtrodden through membership in a cult, and discusses the transformation of The Judge from impotent elitist intellectual to a heroic communal agent of action.

The magazine covers every aspect of Blood on Satan’s Claw : David Annwn Jones argues that Angel Blake (Linda Hayden) reflects public perceptions of then-current child murderer Mary Bell, Matthias Hurst reflects on the struggles of the young against authority, Jessica Parant examines the film’s contrasting view of bad girls and good women to include Isobel (Avice Landon) and Ellen (Charlotte Mitchell). Michael Cerliano argues that the demon battles Enlightenment rationalism rather than Christianity, Kern Robinson asks why the demon of the movie is so ineffectual, Lynsey Townend discusses the fur that infects its victims, and Dawn Keetley traces the history of the ruined church used in many of the scenes and suggests that it ties in with anxities about the declining British birth rate at the time the movies was filmed.

It would be wrong of me to go on at more length, when you can download the magazine yourself at

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